The Great Betrayer

Dear Body,

If I had a friend or boyfriend who ever betrayed me like you do, I'd leave them. Break up with them. Do what I do best, and close an emotional door and never speak to them again. But there's no solution for my problem with you. I've tried ignoring you. I've tried goading you. I've tried using all my energy to please you. You give a little, sure; for a while, yes. And then you betray me again. Yet we are stuck with each other. Like a long-adult child and an overbearing mother - we're tied together. Like a ne'er-do-well son and an alcoholic father - there's no getting away from each other.

I just don't understand what you want from me. I eat well. I give you vegetables, and milk and healthy proteins. I feed you three times a day in balanced intervals. I don't fill you with too much garbage (a cookie here and there never killed anyone). I work you out. I run you and strength-train you and we ride my bike together so well (what with my common sense in the traffic and your strong quads and hamstrings - we're a match made in heaven on a bike). I give you vitamins. I protect you from caffeine. So rarely do we drink, and when we do: beer, mostly. I ensure you get plenty of sleep. I stay organized and keep clear eyes and a full heart and this results in very little stress. Seriously, what more do you want from me?

I know, I know. You would say you do your part. We're healthy. So very healthy. No real complaints. Cholesterol - great. Annoyances (like boils or hemorrhoids or hammertoes) almost non-existent. Skin? Yeah, yeah, it's great. Allergies? None. Generally feeling well? Absolutely. No digestive issues for us. Aging? We're doing well for the most part aside from those three chin hairs and the increasing white hairs on our head.

So why, oh why, dear body, can't you just stay trim? Why must you insist on gaining back ounce by ounce, pound by pound slowly to ruin the party? Why react so passionately to exercise and diet only to give up after a year and get soft again? (I've done my part! I've made sure we get up at 5:40 every morning for over two years now to go exercise! I've helped you sweat out your toxins and strengthen all your muscles!) And yet, you insist. Insist on our hips broadening again and our ass rounding out, and our stomach having that extra little padding.

I don't want to fight with you. Our lifelong argument has done a number on me and my psyche. You wouldn't know anything about that, would you? You're just flesh and bones and blood; you don't have to deal with the brain part - that's my area. You just show up and expect me to live with the fact that this year we're bigger again and don't fit in our cute dresses from last summer. You expect me to just put on a smile and hope nobody notices how much you've betrayed me yet again.

And I'll do it. I'll put on a happy face and shore up my confidence and I'll dress you in a bathing suit. (I will! Because we love the water and the sun and we don't want to miss that, right?) You don't care, do you? You like us this way. Why else would you keep going back to this?

You make me tired, body. I wish you'd just play nicely. But you won't. Fuck you. Happy summer.

Love,

Karen

Sara and Muriel Help Me Keep Morphing

Twice now I've encountered women in books who have no interest in being married and encumbered with the burdens of being a wife and mother. Both times in young adult fiction. Both times in novels written in verse. Both times in period pieces; in the past. One was a full-grown woman, completely ensconced in her life choice, the other a girl, headed toward her choice and destiny. Both times made me think about being single myself. Both times I was so drawn to these characters, it caught me by surprise.

The first is the character of Sara Chickering in Karen Hesse's novel, Witness. The narrative brings together the voices of multiple members of a small Vermont town in 1924 as they are dealing with the influx of the KKK. Each person's voice offers information that weaves together to tell a story. Sara Chickering is a single farmer-woman who chose to remain single after watching her own mother labor as a farm wife and mother. She has not "ended up" single and her aloneness is not the result of being shunned or not chosen by men. Instead it is a clear choice born in young-womanhood and followed to fruition, although it has made her stand out in her community. She is able, as an older person, during the time of the narrative of the book, to provide shelter through a government program for a recent immigrant and his young daughter.

The second is Muriel, in Helen Frost's Crossing Stones. This narrative brings together the voices of two families in rural Michigan in 1917 as their sons go off to war and their daughters struggle to define themselves. There is an easy symmetry in the families and an assumption that the boys and girls will match up and be partnered, but Muriel finds herself questioning this arranged destiny. "Mother: I have no intention of becoming the Mrs. Norman of your imaginary future. Who I am remains to be seen - and I alone intend to be the one to see it." Muriel tells us this on page 15! So early we learn this young woman in 1917 will not be molded easily. And luckily for her, she has a paternal aunt who is fighting for suffrage.

As the reader gets to know Sara Chickering better through her words and thoughts and deeds on Hesse's page, we see she is as maternal as any woman. Her spinsterhood has not rendered her unable to nurture; her singleness has not hardened her femininity. She cares for (the immigrant daughter) Esther as a parent would. As I have experienced myself, the desire to remain child-free does not necessarily mean one is unable to care for children, just that we prefer not to spend our lives doing so. But many assume there is an intrinsic link. "I am not going to have children," I often say to people I encounter in my life. "But you are so good with children," they cry. Yes. I am. I love them. And they love me. But my ability to be good with children and nurture them does not mean I must use that skill as a parent. I get to not do that if I want. And children will come into my life (and have) in other ways, just like Sara Chickering.

Muriel is still a child herself. At 16, she is already questioning the status quo at school and at home, and her parents, although supportive, are cautionary. They tell her she must learn to mind her tongue, to think before she speaks, to not be too forthright with her thoughts or questions. They are raising a daughter, after all, in 1917. When Muriel attempts to write to her friend (not boyfriend) Frank, away at war, her mother is quick - "I'm not aware I know this rule, until I'm embarrassed to be caught breaking it: The gentleman should always be the first to write, Mama informs me. A lady never writes before she has received a letter." Yet two pages later, Muriel's mother says to her daughter after a bout of questioning: "Maybe you won't rock the cradle, Muriel. Some women prefer to rock the boat."

My own parents raised me with similar seeming contradiction in the 1970s and 80s. They raised me that I could be whoever I wanted and do whatever I wanted. But they also asked me to dress more like a lady (in a pre-grunge and grunge world!) and Mom often asked if it would kill me to wear a little make up. They didn't admonish me so much as gently insinuate that being so opinionated might make the boys not like me so much. More than once, my mother said that chasing boys was not appropriate, and that they should call me first, talk to me first. It being a supposed feminist world at that point, I just told her she was crazy and went on with my life. And today, in a supposed post-feminist world, I sometimes wonder if my habits and choices and refusal to live by these rules has contributed to my singleness.

Unlike Sara Chickering and Muriel, I did not know when I was young that I wanted to remain single. I didn't watch my mother stay home, volunteer on the town's finance committee, found the PTA at my elementary school, cook every night of her life without fail, and raise three kids with distaste. I didn't see any of that as burden. I perhaps looked upon my father's life - two jobs and then a switch to a job he was good at but didn't get any real satisfaction from other than being able to provide for us - with a bit of disdain. All that work. Just for money. How tedious. I knew I was a girl, though, and would be a woman. In my family, with all its gender-based practices, I let myself believe I would follow in my mother's footsteps, becoming a wife and mother myself. It wasn't until high school that I started to realize that I wasn't going to easily fit my little square self into that seemingly perfectly round hole.

As I discussed Sara Chickering in class with my classmates this semester, all of whom were far younger than I, I found myself passionate about her. "But," I argued, "here she is, an outsider in her community because she's single and running a farm on her own, but she's got Esther and Leonora to care for. She probably didn't even allow herself before this to know she was so nurturing!" My classmates looked at me, nodded, and moved onto some other topic in the discussion. As I read the end of Muriel's arc of development, leaving home to head to Washington, D.C. to join the suffrage movement herself and to work as a kindergarten teacher (because she is so good with children!), I shed a few tears. There have always been women who have chosen different paths from the norm and there will continue to be.

As I get older and even less romantically attached than ever (if that is even possible), I keep wondering what this is all about. There are a slew of posts on this blog over the past 5 years on this very topic. The past year though, my thoughts have been less about lamenting this state and more about thinking that perhaps this is what was meant for me all along. Perhaps when my revelation came that I didn't want kids, when I was 24 years old, I just wasn't listening enough to catch the other half - that I wanted to stay single and have my life for my own. Is that possible? Could I join the ranks of Sara and Muriel?

Just over 2 years ago, in the heart-broken throes of another lost love possibility, I screamed at my family "If I stay single I will change and never be the same! I will be bitter and I'm so afraid of that!" I was hysterical that day. Losing myself in paranoia and fear and pain. What have I meant when I've said that? I think I mean that I have always wanted to be in a partnership; to be paired up and have another person with whom to face the world and all its adventures. And if I didn't get to have that, I would be so angry, so upset, so disappointed, I would morph somehow into a different person than I was supposed to be. This is a fair assessment, I think. I've never not gotten the things I want: school, jobs, travel opps, adventures. I dream up shit and then I go do it. But this one - not so much.

I think I'm wrong, though. I think I've been wrong. Because I am morphing. I am changing. And it's not for the better or the worse. It is just change. I'm settling into myself. I am feeling more and more like an adult every year. I'm starting not to miss what I've never had. I'm starting to wonder what my life might really be like if I stay single. I think it might be pretty awesome to keep on in this hedonistic, self-centered paradise I've created.

I make choices based on what I want. I love that I have time for things that most of my peers don't because they are so busy being married or being parents. I love that I rent and could care less about owning a house. I love that I can live wherever the hell I want and who gives a shit how good the school system is? I love that all my money is mine and every dime gets spent on me or on whoever I'm giving a gift to that week. I love that all my decisions are made by me and I don't have to check with anyone before I say yes to a request for dinner or a movie or going zipping on a Sunday in October. I love that only my sicknesses mess up my plans. I love that I don't have to worry about anyone else's eating habits. Or anyone else's family. I love all that stuff. LOVE IT.

Sara Chickering and Muriel were both so sure. I'm not. I'm okay with that. I'm often sure about stuff that ends up changing by the time I'm half-way through it. So no matter what comes along, I'll try hard to listen to the messages and not miss things. As I get older, I listen better, because I'm less scared of what I might hear. I can deal with anything. And so I'll carry on, and I'll keep building my rockin' life.

I can tell you this, though. I'm done wasting energy on worrying about it. And that, folks, is true morphing.

Seeking the Great Perhaps

I'm going back to school! First there was this post from 2008 and then this one from last May. And now there's this one. The one where I get to say: I'm going! I'm starting with my first class in July and then 2-a-semester beginning in the fall. YAY! To honor the moment, I thought I'd post my essay for admission to the program.

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I’m a bit like Miles in Looking for Alaska, and I’ve been out seeking a Great Perhaps for most of my life. I’ve called it different things at different times, but when I recently read John Green’s novel, I got this new vernacular to describe what I’ve been doing all along. Through all the seeking, all the roads, all the choices, all the adventures, and all the work, there’s one central thread. One thing that never changes. Books. They are always there with me.

I did the traditional route. I went to high school, applied early decision to Simmons and headed to the residence halls in 1991 as an 18-year-old who had never spent more than a week away from my parents. I finished in four years with a double major, sociology added to communications after a distressing first-semester-junior-year discovery that I didn’t want to be a journalist after all, having ethical issues with the expectations in the field as I understood and perceived them. I held editorial positions on the student paper, was secretary of student government, and served as senior class president. Through my involvement in student activities and leadership development, I applied to go directly to graduate school for higher education administration and student development. I was admitted to the University of Maryland’s program, the best in the nation, and went straightaway. It was something I understood, something I cared about, and something I convinced myself would be my path for life – after all, that’s what we do, right? We find a career and stick? Recent studies confirm this isn’t so, but in the early 90s, there was still the idea that this was the expectation. Throughout my college and graduate school careers, I made time to read for pleasure, astounding pretty much everyone around me. I knew that if I didn’t read for me, I would lose something essential in my identity. So I made time. My graduate school roommate recently reminded me that she lamented not having time to read in grad school and I suggested she read children’s books as they were less of a commitment, but equally as good. She began with my collection and then headed for the library. She remembers me giving her this double gift – reading for pleasure and discovering children’s literature – during a stressful academic time.

By 1997 I’d successfully completed my graduate degree in the requisite two years and held the distinction of being the only member of my cohort to defend my thesis in time for May graduation. I’d taken a job at Occidental College in Los Angeles and moved across the country to work at one of the most diverse small colleges in the United States. Work was good, life was good, and I was creating programs, teaching leadership courses, building an on-campus ropes course, and advising a seemingly unending list of student groups. It was perfect.

It was here that I revisited Children’s Literature. I’d been so focused on other academic pursuits for so many years that I’d not looked seriously at this area for a while. I was still moving my books around with me – Charlotte’s Web, Alexander and the Terrible Horrible No Good Very Bad Day, Harriet the Spy, Phantom Tollbooth, Trumpet of the Swan, The Trouble with Jenny’s Ear, Life Doesn’t Frighten Me, Charlie and the Chocolate Factory, the Heidi books and more. And I was adding new ones – No, David (signed by David Shannon when I went to a gallery in LA featuring his artwork when the book came out in 1998), Series of Unfortunate Events when Snicket hit the scene, James and the Giant Peach when I realized I didn’t own a copy. I took a survey course at Glendale Community College in 2000. I always knew I liked to read, but I was an adult now, experiencing children’s literature as an academic experience. I had no kids in my life, so I wasn’t reading for anyone’s benefit other than my own. I would go to Storyopolis in L.A. and just browse. I started trying to discern what was good and why.

By the time I took that survey course, the Great Perhaps had already called to me again. Just as it did when I decided to go to a college for women. Just as it did when I moved all the way out to L.A. This time, it took the form of travel. Leaving. Going to see a world I was completely unfamiliar with, having never been further than L.A., assuming Toronto doesn’t count. So I recruited a friend and we planned for 18 months and we headed out on a one-way ticket to Beijing, with the intention to circle the globe in a westward manner until we arrived once again on home soil. The Perhaps got the better of me again when I decided, after 6 months on the road (China, Hong Kong, Vietnam, Malaysia, Thailand, Nepal and Thailand again) to stay on Koh Tao, a tiny island in the Gulf of Thailand and learn to be a divemaster and then a SCUBA instructor. I lived there, in a community akin to a model United Nations for 20 months using my counseling and leadership skills to teach diving to strangers (many of whom were learning in a language not their own) and help run a busy dive shop in a developing country.

While travelling, I kept children’s literature on my radar screen. I bought Adventures of a Nepali Frog by Kanak Mani Dixit in Kathmandu and read the Harry Potter books as they came out (the UK versions, which was great). Books are a commodity when travelling; meeting other travelers is imperative for many reasons, not the least of which is to trade for a new book.

Two things led me to leave Thailand and head back stateside. First, while I cared about my colleagues and students greatly, I was working in a hedonistic paradise with no intellectual curiosity or challenge. I found I was hungry for discourse – about anything, really. Second, I was relatively sure that if I stayed out of my profession – higher ed – longer than I’d been in it to begin with, I was going to lose it. And so I headed home and found a proper job again. One that required shoes. After a while longer in higher education, I translated my skills over to the non-profit world. And a while after that, I went back to higher education in a different capacity.

Because proficiency in another language is preferred the M.A. in Children’s Literature program, I’ll add that in the middle of all this was my pursuit of Spanish. I tapped out Brookline Adult Education on their offerings, spent two weeks in Sucre, Bolivia one summer doing intensive study while living with a host family and then three months in Paraguay doing the same thing. Between 2005 and 2010, I chose Spanish-speaking destinations for my travel with only one exception (Spain, Bolivia, Puerto Rico, Guatemala, Paraguay, Peru, and Turkey, the exception). The last time I was orally tested, in 2006, I was high intermediate. I never reached fluency, but I can hold my own in varied situations and places and I can read enough to get a full grasp of what I need to know.

And so here I am, at 37, back in the U.S. for nine years and in Boston for seven, trying to find my way professionally and figure out how all this seeking the Perhaps weaves together and how the constant of books fits in.

In 2008, when Simmons announced the dual degree with Children’s Literature and Library Science, I finally began to think seriously about how to finally make this thread into something. The constant of books and the hum of books for children that had been coursing through my body for almost 10 years needed attention. But I dismissed it after some brief fantasizing as too expensive, too crazy, too late. Here I am in 2011, and I’ve cycled back to it again. It’s not going away. It doesn’t matter how old I get or how crazy anyone thinks I am for knowing about Walter and Gossie and Martha and Katniss and Keesha and Jerry. This is what I’m supposed to do; supposed to study.

For the past six months, in preparation for applying and matriculating, I’ve delved back into literature academically again. I attended the Horn Book Simmons Colloquium on October 2. Because I work at Tufts and have access to free courses, I took Slavery’s Optic Glass, a 19th century literature course looking at slavery through the writing of authors such as Thomas Jefferson, Lydia Maria Child, Edgar Allan Poe, and Frederick Douglass. I am registered for Children’s Literature with Marion Reynolds for the spring semester at Tufts. I sat in on a session of CHL410 with Megan Lambert in October, doing the reading and participating in class. I get the Horn Book eNewsletter. I have read close to 75 picture books and young adult novels in this time, both new titles and classics I’d not read before. I read most of the reading list for the freshmen at Lowell High where my mother works after she passed the list along.

Yes, I will be 38 when I begin. And 40 when I finish. And no, I don’t know what’s next after I earn a liberal arts masters. That’s part of what excites me. What could I discover? What might I find out I care about that I don’t even know exists right now? What talent might emerge that will surprise me? What internship might I try out that scares me? As a life-long seeker of the Great Perhaps this kind of unknown is okay with me.

This essay is meant to be partly about how this program fits into my professional goals. I did some math. Let’s assume I will work until I’m 70. (This seems increasingly common, and I’m single and healthy.) That is another 32 years. And I’ve already worked 14 (not even counting graduate school). That’s a total of 46 years for my working life, of which I’ve worked 30 percent so far. That, of course, means that I have 70 percent to go. When I figured this out about 6 months ago, I was first horrified because I wondered how would I ever make it through the rest of my work life with no real career path or clear focus– the state I’ve been in for about 3 years now. Then I was elated because this was the justification I’ve been looking for to make pursuing another degree at this stage in my life less crazy than one would think.

I want, in the end, for books to be not only my center thread, but my career. I will better understand them; be an expert in them. I will work in publishing, or buying, or an agency or somewhere I cannot yet imagine and will work with other people who share my love. I will not be the weirdo with the book in her bag or talking about some book she just finished to a bunch of people who could care less. I am tired of saying “I love children’s books.” Who doesn’t? But, loving them versus making them my work and my passion and my Perhaps? Those are two very different things, and this degree will act as my bridge from one to the other.

I will give Simmons and the Center for Children’s Literature everything I have. All my focus, all my brain, all my heart. One thing about me as a seeker, I’m not a lazy one. I set my mind to things and do them, and do them well. I am a fantastic colleague and classmate and am a thoughtful and dedicated learner. I am organized and interested. I make mistakes and learn from them. I write what I think is a great paper and get a B- and diligently work to understand what happened and improve the next time. I get frustrated sometimes, and disappointed, but filter that energy as positively as possible and inquire to figure out how to avoid it in the future. I know and care about Simmons; I started my intellectual and professional career with you and hope Simmons will help me continue that journey.

I believe strongly in the idea that “when you want something, the universe conspires in helping you to achieve it,” a theory I’ve appreciated from Cuelho’s The Alchemist for many years. I also believe that …”when you really love something, it loves you back, in whatever way it has to love,” one of Phineas’ theories in Knowles’ A Separate Peace. I am sure that today, as I write this, the universe is telling me it is time for me to seek the Greatest Perhaps and to honor the love affair that children’s books and I have been having for many years. I can’t wait to get started.

The Death of Customer Service

Customer service is officially dead. Check this story:

I go into the bakery to pick up the cake for my mother's birthday. It is 11 a.m. and I'm in a tad bit of a hurry and there's a cast of thousands of kids and moms in there all lined up. So I hunkered down to wait patiently. And wait I did.

The final mom/child pair in front of me ordered two plain bagels toasted with cream cheese. The child was about 2 and was climbing all over everything and mom was trying to get out of there. When she placed her order with the woman behind the counter, she said "Whoa! You smell good! Are you wearing perfume?"

The mom said, while chasing her child, "No. It's not me." (Believe me, that woman was likely smelling like last night's dinner since she probably wasn't able to even bathe that morning with all the work the child was.)

"Well, someone smells fantastic! I just got a whiff of it!" and she fanned her hand in front of her face to show how the whiff came through, as if we didn't understand how whiffs work. Finally, able to focus again, the counter-woman said "What did you want again?"

And the poor, exasperated mother repeats "Two bagels." "Toasted?" "Yes." "Cream cheese?" "Yes." And so, the order placed completely over again, this time in parts, the girl finally gets the two bagels, saunters back to the cooks and tells them what she needs. She comes back, rings the woman up, and it is finally my turn.

"I'm here to pick up a cake," I said. A blank stare.

"A cake. I ordered it." Blank stare. "Can you get it for me?" I allowed about 5-10 seconds to pass between each utterance on my part. "I'm in a tiny bit of a hurry, and this is taking a while, could I give you my name?"

Finally, she speaks. "No." She walks around to the cake counter and says, "Are you Amanda?"

"No."

"Are you Anne?"

"No. I'm Karen if that helps you."

"Oh! 66?" "Yes, that's mine."

Oh my god, I'm thinking at this point. I should've just pretended to be Amanda. Perhaps Mom would've gotten a cake with a Winnie or Minnie on it, but she would've gotten it that day.

She puts the cake in front of me and goes to get the box. When she arrives back, she has to build the fourth side of the box, but the top is not folded yet, so it keeps flopping back on her. So she flips it up and it flops back 3 times. Finally, unable to contain myself, I say, "Here, I'll hold it for you." She does the fourth side of the box and then places the cake inside. I hand her my credit card and tell her I'll finish off the top of the box, lest the flip-flop gets the best of her.

She runs the card and hands it to me along with the slip that requires my signature. I stand there for a couple of beats and then say "Do you have a pen?" She hands me one and says "You are in a hurry, huh?" What? Well, yes. But more than that, my strongest state at this point is not hurriedness. It is complete amazement at your idiocy. But what I say is "Yup! Gotta go." And I sign, grab the cake and head out the door.

I realize it's a coffee shop/bakery. I realize at 11 in the morning, perhaps folks are more leisurely than at 7:30 during the morning commute when everyone wants in and out of there. But I don't need to hear all about the smells you're smelling, I don't need to watch a tortured parent have to order twice, and I don't need to know every woman in JP who ordered a cake for that morning. When someone says, "I'm here to pick up a cake" the answer is generally "What's your name?" or "What's your order number?" or "Do you have your order slip" or "What does it look like" even. Not a blank stare and a poll of women's names.

This is just the most recent in a long string of lunacy that seems to be attacking the service sector. The week before, I'd called the delivery service that Delta uses to deliver lost bags, looking for 8 missing bags belonging to Singaporean students who had travelled for an event at my work. I dialed the number. The woman said only "Hello." Not sure I had the right number, I said "I'm trying to locate 8 suitcases." She responded with "I don't know who you are!" So I apologized for calling the wrong number and dialed again. Same lady. Same exact exchange. Holy crap. The bags ended up located and delivered, but only after I heard every address of every person in the entirety of Massachusetts who was awaiting a bag delivery and asked her a few times to please stop yelling at me. And this was AFTER I'd told her our reference number for the bags, which she claimed the entire time was attached to an order going to Sudbury.

The economy sucks. Lots of people are out of work. Perhaps some of them want these jobs at the bakery or the delivery service or any of the other places people have been idiots lately. I think they might do a better job than these folks are.

Books! Books! Books!

I'm taking a Children's Lit class this semester through the Child Development department at Tufts. It's focus is on picture books through juvenile novels (up to 6th grade). Here's some of the highlights of what I've read so far this semester, all of which is new to me.

1. Re-tellings of Little Black Sambo. This incredibly controversial book, published in 1850, written by a white woman living in British-ruled India for her two small children, has been re-told uncountable times. These are my two favorite modern versions:
The Story of Little Babaji, Bannerman and Marcellio and Sam and the Tigers, Lester and Pickney. Both are done wonderfully. The art is beautiful and the stories are awesome. The first is completely original in the text save for the names of the characters and the second is completely retold.

2. Picture books by Tomie de Paola, my new favorite children's book author. His books are really really wonderful. He is an artist and author and grew up and still lives in New England. He had an Italian father and Irish mother, and some of his books are autobiographical. Seek him out! Here's some titles: Bill and Pete, Oliver Button is a Sissy, many books featuring Strega Nona, Nana Upstairs Nana Downstairs, and more.

3. Ruby, by Michael Emberley appears to be out of print, but you can get it at the library. What a wonderful, modern retelling of Little Red Riding Hood with a clever twist at the end! His site is here if you want to visit it. I've not read his others, but they look great.

4. Anything by or illustrated by Ed Young. Look for the hidden embedded art in his books (is that a mountain or a donkey head?). See his gorgeous site here.

5. The Seer of Shadows, Avi. I'd never heard of this author prior to this, and I will read some of his others when I catch up a bit. This one was phenomenal. A ghost-story so cleverly done. He's won a lot of awards. Check him out here.

6. Good Masters! Sweet Ladies!: Voices from a Medieval Village, Laura Amy Schlitz, was written for her students at the Park School in Baltimore. She wrote this book in monologue parts that children can learn and perform while learning about medieval village life. The set up is very interesting and it's really beautiful.

7. Chicken Boy, Frances O'Roark Dowell tells the story of a young man with problem parents, not enough taking care of, and a slightly lunatic grandmother. It's realism for young people and it's good.

8. Al Capone Does My Shirts, by Gennifer Choldenko takes place in 1935 on Alcatraz, back when the guards' and workers' families lived on the island with them. Moose is a boy with an autistic sister in a time when autism isn't known and is a wonderful story that any child can understand and appreciate.

9. Going Bovine by the formidable Libba Bray is a whirlwind of a trip through an ill young man's delirious dreams.

10. The Evolution of Calpurnia Tate by Jacqueline Kelly was so good, I emailed her when I was half-way through to thank her. This one takes place in 1899 and is just awesome. Callie Tate lives in Texas with her parents, lots of brothers and an aging grandfather, who she befriends and learns from. It's really beautiful. I kept having to stop and re-read passages because they were so well written.

The Winter Loves Me

"The winter loves me," he retorted, and then, disliking the whimsical sound of that, added, "I mean, as much as you can say a season can love. What I mean is, I love winter, and when you really love something, then it loves you back, in whatever way it has to love." -Phineas, A Separate Peace, John Knowles

I have always loved this quote. I just wrote it up there from memory and only had to make a couple small changes after I Googled it to check for accuracy. 'Course, in the book, Gene doesn't buy it. But he honors that Phineas thinks it's true and so he doesn't argue. He says his 17 years of experience has shown the claim to be more false than true. I am squarely in Phineas's camp. Not only do I love winter and winter loves me back, but I think this applies to other stuff, too. But that's a different post. This one is about winter.

How I love winter. Truly love it. It's my favorite season. Has been for just about my whole life. There are lots of reasons for this. Some of them:

- I hate the heat. HATE HATE HATE it. When it is over 78 degrees, I am uncomfortable. I run hot anyway, so this makes sense.
- My birthday is smack in the middle of winter. And I love my birthday, too.
- There's something to be done about the cold (unlike the damn heat). You can put on more clothes, walk faster to warm up, and stay in by a nice fire. (I can hear the arguments already about air conditioning. I will say that it is expensive, not everyone has it, and a fan is just not the same. And, not being able to go outside sucks.)
- No lost sleep. It is so hard to sleep when it's hot. But when it's cold, bring on another blanket and snuggle in!
- It brings SNOW! And snow means skiing and snowshoeing and snowball fights and snow angels and sledding and so much great stuff that ANYONE can have. You don't need a ride to the ocean or lake and you don't need a boat and you don't need other stuff that leaves out people who are poor or struggling. It is fun in an equal way that anyone can access.

We had the second big storm of the season yesterday. I missed the first one - being away in Puerto Rico (where it was too hot) for Xmas. I had the aftermath - had to clean off the car and shovel some when I got home, but it was nothing in comparison, and it melted very quickly afterwards. This one is epic. The snowbanks are huge! The piles of plowed and shoveled snow are tall! The entire world looks like a winter wonderland. It's so beautiful!

Yesterday afternoon, a friend and I carried our snowshoes over to the Arnold Arboretum, which is across the street from where we live and we put on our snowshoes and grabbed our poles and headed out. I wasn't really prepared for how amazing it would be. I've snowshoed before, in Vermont, in the woods. But here I was, in the heart of Boston - in the 'hood, actually, surrounded by trees and snow and untouched fields. There were people with sleds, people on cross country skis, people on snowshoes. Sometimes we were with or around other people, sometimes we were all alone for a long while as we trekked.

I know the Arboretum quite well. I know the main paved roads that run through it as well as some of the other paths and trails that go through the forests. Yesterday, though, we were totally turned around - a few times. Everything being white, we had no idea where we were. At one point, we cleaned a foot of snow off a sign so we could at least try to get our bearings. We climbed up hills, we trekked through big fields that had marshy grass underneath (we could see a couple of tiny exposed spots) and we found places we'd never been before. Because when there's a foot or better of snow, you can walk ANYWHERE! Even places you could never walk otherwise, because you'd be trekking through the aforementioned marshland.

There are so many different types of trees in the Arboretum, from many different countries. There are some with red tones to their bark. Yesterday, they were practically glowing red. With low light because of the cloud cover and no competing colors since everything else was black/brown and white, the red really stood out. It was very cool.

This morning, after the gym, I was driving home at 7 a.m. The sun had just come up and the sky was not quite blue yet. It was pink and orange and green and blue. Looking through snow covered trees with this background made me stop. I wished I had my camera. Then I pulled over to mail something and got a look at the city in the distance. JP is lined up with the Pru and that other building with the dome top. The sun was reflecting off them and the orange behind them with the snow in the foreground was spectacular. Little moments make the big ones more bearable.

Next weekend, I go skiing and then do some more snowshoeing in Vermont. And hopefully, this snow will last for a while so some more Arboretum snowshoeing can be had. One of the downfalls of living as far south as Boston and so close to the ocean is that our snow often melts away as quickly as it came. Temps this time around sound like we might hang on to this for a while though.

I am not bothered in the least with the effort snow takes. It means shoveling out the driveway and the hard piles of snow the plow leaves at the end of the driveway - often more than once. It means shoveling out the car - chipping off the ice - making sure I always have enough windshield wiper fluid in the car. It means driving slower and more carefully. It means looking more carefully at intersections lest I miss a car or a kid behind a huge snowbank. It means dirty shoes that have to be taken off at the door instead of just waltzing into my house as usual. It means a car covered in salt residue and having to wash the car more often. It means looking harder for a parking spot because in Boston, you do not park where there is an end table or a lawn chair or a trash can. This is a mark of pride someone left, signaling that they worked long and hard to dig their car out, and when they return, that spot should be there for them to park in again. (Mayor Menino keeps threatening to send out the garbage men to pick up all these markers and haul them away as a message that this practice isn't acceptable, but it's never happened, and most of us support it, anyway.)

I am not bothered by any of that effort, because when you love something, that love takes effort. And the winter loves me back - it gives me gifts. It makes my body feel better, it allows me to snuggle under my three blankets at night in my favorite jammies all warm. It allows me to drink hot tea and chocolate. It lets me stand at the top of a mountain and then fly down at speeds I otherwise never experience. It gives me weekends with my family and friends in Vermont, something I've had since I was a baby and that has continued for over 30 years. It brings the occasional snow day with no work and being shut in the house with nothing to do but watch 8 more episodes of Rescue Me or read the rest of the book I'm loving. It gives me my birthday, which each year I celebrate somehow with friends and family. It gives me WinterFest at Cobbett's Pond. And as its final gift, it gives me Spring when it finally decides to close up shop for the year and allow the leaves to bloom again and the crocuses to pop out and the flowers to grow again.

I know not everyone loves the winter like I do. And in return, it doesn't love you very much. That's okay. Summer doesn't love me, and I'm fine with that. Winter is my boyfriend. And so far, its given me years of happiness. I expect a lot more of them to come.

My Tiny Mother With a Big Pointy Tree

My mother works at a large, public, city high school. She works in the building set aside for first-year students, who are separated from the general population to help them better make the transition from middle school to high school - it works, too - their attrition rate has dropped since they moved to this model several years ago.

She is not a teacher anymore. Now she is a specialist who supports teachers, supports the administration, and does a lot of MCAS (state testing) stuff. Even when she was tied to a classroom all day, she was a team player and generally helpful, but now that she is more free to roam freely about the building without kids in her care, she's taken on that role even more. She is the one who convinces the janitor to help haul boxes upstairs and she's the general problem-solver for things from how to organize the testing materials to putting away the Christmas tree.

Hence this story. I'm hoping I can do it justice in writing, because when she told me the story, the two of us were laughing so hard we could barely talk.

The Christmas tree that had been decorating the main office in her building had been taken down and put back in the box but it had been sitting there for days and nobody had put it away in the closet where it belongs. Finally, Mom got sick of looking at it, and bent her 5' 3", slightly overweight, 65-year-old body over and hauled the tree up onto her shoulder. The box was about 5 feet long, and the tip of the tree was sticking out the end like a javelin. She stood there for a moment, and then asked if someone would please open the door for her. Someone did.

She headed down the hall, likely moving as quickly as she usually does. Mind you, she may be only 5'3", but I've spent my entire life, with my 34" legs and 5' 10" self asking her to slow down so I can keep up with her. So she's hauling ass down the hall with the giant box on her shoulder, passing by teachers watching this whole thing as she goes. She gets to a 50-something guy teacher, and instead of offering to take the box for her, he says, "Hey, got a nickel?"

At this point in the story, I stopped her. "What?" I asked. "What does that even mean?" She said she didn't really know, other than his way of giving her shit, asking her to do something that would require using a hand to dig in her pocket for a coin. Just a way to mess with her further as she made her way past him.

"What did you say to him?" I asked. "I don't know," she said "Something like, 'I'll get you later.' What I wanted to do was poke him in the chest with the tip of the tree." I pictured that in my mind's eye and started cracking up again. My mom, as tiny as she is, using the tree as a sword and poking this guy in the chest with it. HILARIOUS!

I asked her to continue the story. When she got to the end of the hallway and to another door, she had to ask someone to open it again. She had to ask! Nobody just opened the door for her! She may not like that I'm going to say this, but she's a damn senior citizen. I know she doesn't look or act like one. But she is, for fuck's sake!

So that door gets opened, and she asks someone else to open the closet. They do, and then they watch as she throws the tree up over her shoulder onto the top shelf of the closet in one movement. And then she closed the closet door and went about her business.

Now I ask you, what is the most amazing part of this story. Is it:

a. That my senior citizen, almost midget, slightly overweight mom is really a hidden superhero, mover-of-heavy objects?
b. That nobody offered to help her?
c. That she didn't actually assault the idiot asking for a nickel?

Up to you, my friends. You get to decide which you think is the most amazing. Me? I just wish I had video of the whole thing.

Tutti Fruity Bug Repellent

NB: Our little picture wasn't this cute.

So off I go to Puerto Rico with 4 of my girlfriends for a week for Christmas. Can't get much better than that, right? It was pretty great. We rented a little villa with a kitchen, full-size fridge, bed, pullout couch and a loft. We chose our spots, unpacked our stuff, walked on the beach, checked out the hotel and environs, and headed right to the grocery store to get all the supplies we'd need to eat breakfast and lunch each day.

We also needed a few toiletries. One person needed toothpaste, we needed some sunblock, and since we knew we were going hiking in the rain forest later in the week, we needed bug spray - you know, like Off or something.

Let me back up for a moment and say that of the 5 of us, two are fluent in Spanish. One person routinely conducts group sessions for teens in Spanish in Boston and one has lived and worked in Mexico and Colorado and majored in Spanish. Two others of us are proficient. We can get along and basically be understood, but get a little lost when the conversation gets complex or higher level verb tenses are used. And the fifth of us has little to no Spanish at all. Of course, we sent the one with no Spanish to the toiletry aisle to get the sunblock and bug spray.

We were in a big modern grocery store, Amigo, which appeared to be a big chain in PR. It had anything you'd need, basically. Nobody working there spoke English, but they carried a fair number of products written in English from the Equate line, which is Walmart's. Christy found the sunblick fairly easily because it was Equate and in English.

While three others of us were waiting for the dude to come back to tell us if they had anymore half and half, finding out they didn't, and deciding to get the Tres Monjas milk because it was so cute with three little nuns on the carton, Christy was finding the bug spray.

She came up to the rest of us and said "This is all they have" handing us a little tub of yellow gel. On the tub, it said it was para ninos (for kids) and that it was to "repelar piojos" with a picture of a bug with the red circle and cross through on top. Sure, we said, this must be some crazy version of bug repellent for kids. We checked the shelf, and there wasn't anything else.

"But it's Tutti Fruity! How will that repel bugs?" someone asked. Someone smart asked that. But we just moved along, not really thinking about it, tossing it in the cart and buying it, along with a big bottle of rum, a bunch of mixers, and breakfast food. Ah, the life of 5 single women let loose in paradise.

The day arrived to go hiking in the rain forest. Someone went and got the bug gel jar and prepared to slather it all over their body. Suddenly, Kate said, "Wait. Piojos. That's the word for lice!" She looked at the jar again and suddenly we realized it was for kids' hair! You were supposed to use it regularly in their hair to ensure they didn't get lice! HAHAHAHAH. Much laughing and hilarity ensued as we tried to imagine if we'd put it all over our bodies and then hiked through a forest, just inviting the bugs to dine on our delicious tutti fruity selves.

As it turned out, we didn't need it anyway, because it was raining so hard in the rain forest, no bugs were even out. And, we'd escaped this mistake, but I'd still been the one to buy a small bottle of what I thought was body lotion, at Target, in Boston, and used it for two days before someone else noticed it was actually body wash!

We left the jar, unopened, in the bathroom of the villa. The girl checking us out at the register at Amigo probably wondered what our deal was, and so might the woman who cleans the villa - Amalia, who we met when we arrived. Will the next people who stay at the villa wonder too? Hopefully, they'll understand enough Spanish and won't open it up and use it on their arms and legs when they head up the mountain to the rain forest!

I'm a Careless Daughter

For my class this semester at Tufts, which had a fancy name but I lovingly call "Slavery Lit", I read Harriet Jacobs Incidents in the Life of a Slave Girl. It's her slave narrative, published under a pseudonym, Linda Brent. It was the first written document by a slave that discussed the sexual abuse that women slaves endured at the hands of their masters (and others). She says in the narrative: “Slavery is terrible for men; but it is far more terrible for women. Super-added to the burden common to all, they have wrongs, and sufferings and mortifications peculiarly their own.” As a feminist, of course I agree, right? Everything is harder for women than for men. But facetiousness aside, her narrative really got to me.

I have no idea how anyone endured what she did and didn't come out broken. Instead, she was able to escape, mend relationships with her children, and go on to do great things. People break in much less horrible circumstances.

In summary, she was born into slavery, sold after her mother died, and then bequeathed from a kind mistress to that woman's niece, who was only 5 at the time. So, while she was technically owned by a child, the child's father was her actual master. In the book, he is called Dr. Flint, but in real life he was Dr. Norcum. When Harriet was only 14 or so, he began following her around through her daily tasks, whispering filth in her ear and making sure she knew to be afraid. Soon afterwards, he took his infant child into his chambers at night, which then required a slave to be there to help so he could get her without interference from his wife. When Harriet confessed everything to his wife when questioned, instead of being protected by the woman, it never came. In desperation, she became pregnant by a single white man in town who was sympathetic to her situation. Dr. Norcum didn't care and the treatment didn't cease. Finally, when she realizes he is going to sell off her children to mess with her, she escapes. For seven years (SEVEN!) she hides in a crawl space above her grandmother's porch. Very few people know she is there, not even her own two children, who are living below her with the grandmother. After 7 years, she really does escape and winds up in New York and eventually Boston. Once Massachusetts passed the Fugitive Slave Law, which they had been holding out on, she was in real danger again. Dr. Norcum had been making trips north looking for her over the course of a decade and once he died, his family continued to pursue her. She was finally bought by friends in the north who then freed her.

I realize slaves were beaten. Horribly. To their death, often. But Harriet shows a different side. A side where your psyche is beaten. Horribly. And die a sort of death because of it. Some would even say a worse kind of death. But Harriet didn't succumb. I have no idea how. And the thing is, when young women are subjected to psychosexual abuse, it's bad; but when it continues into adulthood and then motherhood, it becomes even more powerful.

Anyway, I've been really affected by her story. And so I went to visit her yesterday. I parked at Mount Auburn Cemetery in Cambridge, MA and walked through the 25 degree sunny weather along the rows, searching her out. It was easy to find her stone, since I knew through emails with the cemetery people that it is getting some work done to it, so it's laying on the ground at the moment. I didn't know her daughter was buried beside her. That was a nice surprise. I hung around for a bit, took some photos, and had a moment with her. I was having a rare and particularly snarky bad day and thinking of her made me put my shit in perspective and remember what other people have endured.

She says in the introduction to her narrative: “Rise up, ye women that are at ease! Hear my voice, ye careless daughters! Give ear unto my speech.” -Bible, Isaiah 31:9. This is so huge. Before she even begins her writing; a pouring out of her heart in a way a slave women has never done before - she appeals to those not enslaved to hear her story and react to it. To use their innate power to somehow help. And she appeals to women specifically. This isn't unlike some of the female fiction writers of that time (Harriet Beecher Stowe and Lydia Maria Child to name two - the latter of whom edited Jacobs' narrative). They too appealed to Northern white women to step up and get involved with abolition.

I fear that I would've failed. That if I had lived in Boston in 1850 I might've just thrown up my liberal, abolitionist hands in complete defeat. Let me imagine myself then - mirrored from what I am now. I'm a spinster at 37 - having not married, there is no longer a question I will. I have a job, since I must in order to support myself, having moved from my farm-home north of Boston in Chelmsford in my mid-twenties after spinsterhood was clear but my willful ways wouldn't allow me to remain under my parents' roof. I'm not well connected enough or weird enough to have rubbed elbows with Louisa May and her ilk but I'm adventurous enough to have made my way in the big city. Being an abolitionist - an ardent one at that when talking with friends and family - perhaps I do some writing in some of the newspapers focused on that. But, like myself now, do I actually DO anything? Do I protest? Do I participate in the underground railroad? Do I use every extra dime I have helping people get from the South to Canada? Or do I just sit in my little rented room and hope that soon it will end? That's mostly what I do now. I rant. I write a bit. And I throw up my hands in defeat. I hate to think that I would've done the same then.

Harriet, thank you for your strength and courage. Thank you for leaving words for me. They are more powerful than anything else you did: your school, your programs. They allow me, now, 150 years later, to check myself and make sure I am doing enough, which I've determined, I'm not. For what is the real difference between slavery and gay rights? What is the real difference between slavery and predatory lending? Other forms of injustice and prejudice and oppression? (Don't anyone jump - yes - I understand ownership of people versus other things - but I am tired of discounting injustices because, well, they aren't as bad as fill-in-the-blank. This is not a hierarchy of horrid - it is ALL bad.)

I shall reflect on this over my much needed break in the next couple of weeks. While I am basking in the sun and sea of Puerto Rico, which I can afford, with my friends who love me and talking with my family who will miss me over the holidays, I will remind myself how lucky I am. And what a responsibility I have to do for others because of it. And I will maybe decide that this year, to step it up a bit. To consider my role as a "careless daughter" and what that really means.

Brokeback

The first time I saw Brokeback Mountain, in 2005, in the theatre, I sobbed so much I had to wait to get up at the end until I had control enough again to walk. I was touched by the story, touched by the pain of Ennis and Jack, men feeling something they could do nothing about. I was mad at a world that continues to attempt to keep gay men and women from loving, even though my state had legalized their right to marry just the year before. I wept for lost time, lost love and for people not being able to be who they are. I wept for gay men and women, but especially men, who are violently tortured and killed just for being gay. I was amazed when it didn't win Best Picture that year, losing out to Crash, which was a good movie, but not even remotely as good as Brokeback. (I was consoled a bit by the fact that Larry McMurtry and Annie Proulx won for the screenplay and Ang Lee won for direction - even after all 3 nominated actors were also snubbed.)

A friend mentioned last week that she'd watched it again, and how good it was the second time around. We talked for a bit about the things that can be noticed on a second viewing of a movie that affronts every sense the first time - once you are prepared for it. We talked for a bit about the loss of Heath Ledger; about how the world is a little bit less wonderful without him in it.

I watched it again yesterday. It affected me even more than I thought it would this time. This is not the "gay cowboy movie," it is a serious love story, as serious and important as any other love story ever told; perhaps more serious and important than many others. It is a story of hidden love - of love that cannot be fully realized or enjoyed because of fear. Ennis says, "If you can't fix it, Jack, you have to bear it." And in this line is the crux - two young men in 1963 and through almost 20 years of stolen moments - bearing it is really all they can do.

There are some incredibly poignant moments in this film, and clearly the writing, acting and direction are to thank. When Jack finally contacts Ennis again, 4 years after their first summer together, Ennis waits for him like a child on Christmas morning, sitting in the window and getting more and more anxious as time passes; the viewer can feel the anticipation. Jack finally arrives, and although it was clear that Ennis was the one who needed to be convinced the first time around, he takes one look at Jack and his body and his emotions take hold of him and he is lost. He takes hold of Jack's face and looks in his eyes and in that moment, anyone can see that this is real. This is the love Ennis has missed while he was busy trying to build a marriage and rear his kids and earn enough money for their keep. He leans in to kiss Jack, holding onto him with urgency. My entire being was affected on this second viewing - I wanted to cheer and cry all at once.

The scene where Ennis and Jack first discover sex together, while violent and abrupt and a tiny bit scary, is equally as poignant. How perfect that the writers and director and actors understood that scene must be that way - that without it, we would never had bought into the story as a whole. Two men, cowboys, no less, in 1963, one with a fiance waiting at home end up having sex in a tent on a mountain? We have to understand the stretch that was - that there was something important behind it in order for the entire story to follow to work. Jack is clearer in his sexuality. He has already fallen for Ennis and it likely took restraint on his part to wait as long as he did before he reached for Ennis's hand and arm to wrap it around his own body. But Ennis? Ennis we know could've gone his entire life without ever having an encounter with a man - sexual or otherwise. He would've just accepted his life as it was dealt to him, and would've passed up the love with Jack if Jack hadn't've been brave enough to offer it. It's what makes the rest of the movie so brilliant. Because this isn't just a passing thing; it isn't just another fuck. It's real love on both their parts, but especially Ennis'.

The scene where Ennis meets Jack's parents and finds their shirts - carefully threaded into each other in Jack's childhood bedroom shatters me. He's there, hoping to catch a last moment of Jack-ness, in his room, his boots, his clothing, and yet, he finds love again. In the form of two bloodied shirts, kept by the love of his life as a reminder. Jack's mother, who clearly knows Ennis is her son's lover, must be aware of the shirts' existence and is quick to offer Ennis a bag to carry them when he returns downstairs with them. In her "Come back to see us again" line, she says so much. She says to Ennis that she loved her son, that she knows how much he loved Ennis and that she can see Ennis' pain in the loss of him. She validates Ennis' entire being - for here is someone who knows his secret and accepts it about him. (Jack's dad is not as understanding - but he doesn't throw Ennis out; he doesn't punish Ennis for loving Jack, he allows him a moment's grace - a far cry from what many men in his position might've done.)

As the movie progresses, Ennis' marriage fails, Jack continues to try to convince Ennis they can build a life together if they just tried, and ultimately, Jack dies, deep sadness takes hold of me. How many times can Heath Ledger, with that gorgeous face speckled with freckles evoking innocence, cry in complete despair before I too, break down? How many times can Jack, with a pure, unadulterated love for Ennis, beg him to build a life with him? How many more times can society refuse to allow people to love each other? People who aren't hurting anyone? People who just have love - piles and piles of love - should be allowed to share it with whoever they want to, wherever they want to, however they want to. Yet. Here we are - much as we were in 1982 (the last time Jack and Ennis spend a week together) - with people not allowed to do just that. I would venture to guess that if two men met next summer in Wyoming on a ranch and fell in love, they would feel just as compelled to hide it as Ennis and Jack did. Sad world we live in.

I am so grateful that Annie Proulx wrote this short story for us and that Ang Lee and Jake Gyllenthal and Heath Ledger decided to make the film. It is a gift. A beautiful, heart-breaking, amazing gift. One I will watch many more times in my life, now that I've reminded myself just how important it is.

Bring on the Pat-down

The latest brouhaha in the US this week is airport security checks.

The TSA has never had a very good reputation. Everyone can tell stories about what happened to them in the security line - pre-9/11 and post. Not everyone knows why we take off our shoes and coats and sweaters that count as coats, but we do it. Introduce something new and some people will complain, bitch, and cause problems. They will mess it up, bring the wrong sized Ziploc bag, get their brand new 12 oz. lotion confiscated, forget their pocket knife is in their pocket and have to use one of those mailer envelope things to mail it home and hope it is there when they get back. Introduce something new and there are also real facts to point to about why it isn't working. An agent makes a mistake, someone's urostomy bag accidently gets torn, too much force is used. Absolutely all of this is true. Shit happens. It happens all the time, everywhere, this is no exception. (See the time the MBTA agent at Back Bay who confiscated the university credit card I had an authorization letter to use and told me I was a criminal and made me cry. That was fun.)

But I just don't get it. I don't get how people can see these new machines and optional pat-downs as assault or invasive. You get in a machine, which my home airport, Logan (Boston) has had for a while now, and hold your hands up "stick-up style" for about 10 seconds and then you walk out. This is what the image looks like that someone in another room somewhere sees:



Apparently there is some concern that these images are invasive and show too much of a person's body. And, that they aren't being erased from the system and could end up on the internet. Okay. But who can tell who anyone is? If someone wanted to take my image from the xray machine and print it somewhere, go ahead. Nobody can tell who I am from it. And before you go off yelling about it, even if I had one boob and two belly buttons, the chances are still slim someone could attach my name to it.

The level of radiation in the machines is supposedly safe. People are concerned that it isn't. Okay. Well, lots of things they told us was safe wound up not being and lots of things we thought were unsafe wound up being just fine. This has gone on for as long as we can remember. Lead paint anyone? Asbestos? Not sitting on the toilet seat to avoid AIDS? Saccharin is still up in the air and has been since the 70s, yet millions of people reach for the Sweet n Low every day. The list would be as long as you cared to make it.

So choose not to go through the machine. That's fine. You can do that. But if you do, you get the pat-down. That's the way it goes, peepers. And if you now complain that's too invasive, go back for your dose of radiation. Those are your choices. And if you don't like those choices, you can choose to not fly. If you're lucky, your airline will be handing out refunds.

A pregnant friend of mine who travels A LOT for work has been bypassing the machines and getting the pat down for a while now. She described the experience to me. She said the lead-in verbal info was so long about what they were going to do, she finally interrupted the poor woman TSA agent and said "I'm not modest, just go ahead." Then the woman told her every step she was going to do before she did it. She said, I'm going to run my hands up your arms. I have to run my finger under the underside of your breasts. I am going to put one finger into the waistband of your pants and go around. I'm going to run my hands up your leg until I "meet resistance" - apparently the nice way to say "hit your crotch." I asked my friend if they cupped her crotch. Nope. None of this description sounds invasive to me.

The little boy in the video who was supposedly being harassed at the airport needed the pat-down. Some dude recorded the entire thing with the father asking the boy to cooperate and then taking the boy's shirt off for the TSA agents, which was entirely his doing, and entirely unnecessary. The boy got the normal pat-down and went on his way. The dude who videoed it was asked to delete it since it violated the family's privacy but he refused and instead made it viral on the web. Who in this story violated someone's rights? My vote is for the a-hole with the video camera.

New security measures have continuously been put in place for flying since airlines have existed. In the 70s, with the hijackings that were happening, they began to step it up. As more and more people accessed air travel in the 80s, more security measures were necessary. And of course, we all know the post 9/11 measures and those that have followed. And every time someone figures out how to breach the measures in place, we come up with new ones. This is just another natural step in the progression. And it's one I think we can live with. In 5 years, we won't even remember when we didn't have to go through the xray machine. I can barely remember when I didn't have to take my shoes off.

I am not fully addressing the fact that some people are subjected to repeated "second checks" at airport security because of how they look. This type of profiling happens all the time. It happens to a number of people I know, both people of color and scruffy or hippie-looking people. And this is super annoying for them. And I'm sorry it happens.

I am fully aware that there many people who don't agree with me on this. I'm not asking you to. This is my opinion. Women have been subjected to cat-calling on the street for basically all eternity and it continues today and nobody's up in arms calling that assault and abuse and trying to stop it. So.

On the whole, I think there are better things to worry about than this. People are hungry. People are going in this holiday season with absolutely no means to provide even a modest gift for their kids. I would love for people who can afford to fly to be with family or enjoy a vacation this holiday season to consider the privilege that goes with that and then be respectful and helpful so we can all get where we are going safely. I wish we'd swallow some of what I see as our over-sensitive modesty and just move along. Perhaps eventually, we'll all be as non-chalant as these people:

The Booty of My Soul Wants It Some Pop

I don't really care about music. Let me put that out there right from the start. I'm a book person. A movie person. I don't own an iPod (my 587kb shuffle I got as a gift hardly counts), I don't have an iTunes account, I own about 50 CDs and almost all of them are from college or before. I listen to NPR a lot. I skip the music section in my Entertainment Weekly.

But something weird has happened to me in the last 8 months. I have found a reborn delight in pop music. Top 40 music. Katy Perry, Lady Gaga, some dude called Tiao Cruz, Rhianna, even Brittney. I seem to like it all. When I don't have NPR on in the car, I have on Kiss108 and when Ryan does the AT40 on Sunday morning, I'm actually interested in which song is number 1. It's like it is 1985 again and I'm 12 and we're begging Mom and Dad to let us stay in the car until the announce the number 1 before we go into 12 o'clock mass. Or we're rushing out from quarter of 11 mass so we can hear the last 5 or so. Back then, though, of course, it was Casey Kasem making the big announcement.

It all began last February, during the planning for the international symposium that my institute at Tufts does each year. I was still new in my job and was learning trial by fire. My days were 8-10 hours of pure hell, sometimes with both my landline and cell each on an ear and emailing at the same time. There were seemingly hundreds of students in and out of my office all at once. So I turned to Gaga. I created a station on my Pandora called "Poker Face" and rocked to pop to calm my soul. Prior to that, my Pandora stations ranged from Jack Johnson to Ben Harper to Michael Franti to Tori Amos. Not really pop stuff.

And now I'm lost in it. I love it. I know a lot of the songs by heart. (This is partly because Kiss108 tends to play the same songs over and over and over ad nauseum.) I actually enjoy them. I got all excited when I saw the video for Willow Smith's single "Whip My Hair." I sometimes feel like going clubbing.

I'll admit. I don't know all the artists' names. And I don't know from whence they came. I don't really care, actually. I just dig the beat and dig the songs. My Katy Perry Pandora station keeps me going all day long. Flo Rida makes me smile, even if I have to look up what applebottom jeans are. Jason DeRulo makes me want to keep riding solo and be proud of it. Kelly Clarkson is the bomb. Gaga - oh, Gaga how I love thee. Katy - you go girl. Marry Russell Brand in India with your crazy blue hair self. Bruno Mars, yeah, you stole the title "Just the Way You Are" from Billy Joel, but your version is also kick ass, so you're forgiven. And all the cool pairings! Rhianna and Eminem, Katy Perry featuring Snoop, Elton John and the Gaga. So great.

So, there you go. I have no idea what's happened to me. And my taste. But the booty of my soul wants it some pop. So I'm going to go with it. And maybe actually go clubbing one of these weekends.

Television Worth Watching

I am known as someone who does things the whole way. Obsessively, perhaps, but never entering the psychotic. I get into things and I do them and talk about them incessantly. I tend to leave things behind just as easily once something is over or the next best thing comes along. In any case, television is something I'm a little obsessive about. The television I watch I get a little passionate about. I lure others into watching shows I like. I talk about shows with other fans as if the characters are not only real, but our buds. I've done this for as long as I can remember. (My real relationship with television didn't begin until college, because my mother regulated our television viewing so stringently, even through high school, that anything prior to 1991, I've heard of, but don't have an intimate relationship with, unless I caught up through syndication, which I did with some things.)

For your reading pleasure, and perhaps viewing pleasure, here are my current obsessions and recommendations for television worth watching. In this age of Hulu and Netflix, I've managed to watch entire seasons in a weekend and entire series in a month or so. You, perhaps, might space it out some more: up to you! For the record, this isn't in any order of preference or best to worst. All of these I've deemed worth my time over the long haul, so they are all good!

Dexter, Showtime, Seasons 1-4 available on Netflix, Season 5 currently airing, twelve 52-minute episodes per season
This show, about a vigilante serial-killer blood-spatter expert is brilliant. It is well written, well acted, the scenarios are not so crazy that you can't buy them. The supporting cast members are great and the seasons are awesome in that each episode has elements that stand alone, but there is a story line that follows through the entire season as well. You will love a serial killer and cheer him on.

Grey's Anatomy, ABC, Seasons 1 - 6 available on Netflix, Season 7 currently airing, between 15-24 42-minute episodes per season
I have watched every episode of Grey's Anatomy in order the week they aired. I have cared about Meredith, Cristina, Alex, Izzie, George, Derek, Chief, and Bailey since the start. I have cared for Lexi, Mark, Callie, Arizona, Owen, Tedy and the others as they have joined. I have mourned deaths, wondered how someone would survive, cheered successes and cried with characters. I feel as though I could walk into Seattle Grace and know what everyone was talking about. Some say this show jumped the shark a while back, but I either don't care or don't believe it. I'm sticking here until this show ends.

The Amazing Race, CBS, Seasons 1-9 available on Netflix, Season 10 currently airing, twelve 42- minute episodes per season
The only reality show worth watching, TAR doesn't have any downtime for anyone to be a poser of any kind. The tasks and pace and exhaustion level requires people to be themselves, good or bad. The locations are great, the tasks are always culturally related, and watching 24 Americans make their way around the world is always good fun. As a traveller, nothing is better than this!

Breaking Bad, USA, Seasons 1 & 2 available on Netflix, Season 3 just finished and coming to Netflix, Season 4 slated, 7 eps Season 1, 13 after that
The lead actors in this amazing show keep winning awards. Walter is a high school chemistry teacher who is way too smart for his job and trying endlessly to make ends meet for his family (a wife, a disabled teenager and a new baby). His DEA agent brother in law introduces him to meth, and he finds an ex-student Jesse and begins cooking the best meth Albuquerque has ever seen. A tangled web of lies, crazy violence, some pretty dodgy characters and some edgy storylines ensue. I never knew I'd know so much about meth. Just this morning, there was a story on NPR about CVS being in trouble for selling too much Sudafed to repeat customers, and I knew why that was a problem before they even said that it was a major ingredient in meth! See what TV can teach you?

Friday Night Lights, DirectTV and NBC, Seasons 1-4 available on Netflix, Season 5 to air on NBC next spring, 22 42-minute eps Season 1, 13-15 thereafter
This show is about three things: football, Texas and Jesus. And I could care less about all three of those things (except that my sister lives in TX, but that aside...). People recommended this show to me for years and I laughed them off. And then I watched the pilot one night in a fit of boredom and I was hooked. On the pilot. This show is also about kids, and struggles, and marriage, and trust and love and hardship and selflessness. I have cried during approximately half the episodes and I sobbed (sobbed!) during one. I feel as though I know these people and I want to move to Dillon, TX and hang with them for a while. I miss characters who have moved on, and I"m worried about the fate of others as I await the final season to be available, because alas, season 5 is it for this beauty of a gem of a show.

Modern Family, ABC, Season 1 available on Netflix, Season 2 currently airing, 24 23-minute eps per season
Winning the Emmy for best comedy in their freshman year as well as an acting award for Cam, this show is hilarious and poignant at the same time. Everyone I know loves this show. No more need be said.

30 Rock, NBC, Season 1-4 available on Netflix, Season 5 currently airing, 22 23-minute eps per season
Tina Fey is genius. Alec Baldwin is brilliant. The rest of them are amazing. This show is esoteric, weird, hilarious, and just plain fun. Rumor has it Alec is leaving after this season and we'll see what happens after that, because Tina is no where near the end of her career and I can't wait to see what else she cooks up as we grow old together. Liz Lemons of the world unite!

The Office, NBC, Seasons 1-6 available on Netflix, Season 7 currently airing, 22 23-minute eps per season
The funniest shit on TV. Hands down. And when Steve Carrell leaves after this season, the rest of this ensemble cast will hold their own and whatever new person joins them will likely be hazed to hell and back, all for our pleasure.

United States of Tara, Showtime, Season 1 available on Netflix, Season 2 finished airing July, coming to Netflix soon, Season 3 in the works, 12 30-minute eps per season
Toni Collette is Tara, a suburban housewife with two kids, a husband, and bunch of other personalities. John Corbett is in this (I have been in love with him since his Northern Exposure days) pretty great series about how the family and Tara herself handles multiple personality disorder. Since I've only seen Season 1 so far, I can't completely vie for this one, but my roommate and I both loved it and I watched the entire of Season 1 twice, so there you go.

Big Love, HBO, Season 1-3 available on Netflix, Season 4 coming soon to Netflix, Season 5 in the works, 10ish 58-minute eps per season
I wrote an entire post about this. Check it out here. I'm anxiously awaiting the next season of this to come out so I can rejoin this interesting family.

Glee, Fox, Season 1 available on Netflix, Season 2 currently airing, 22 42-minute eps per season
Everyone loves Glee. It's fun, campy, important, and fun. It has a kid in a wheelchair, a gay kid, geeks, cute boys, pretty girls, pregnant teens, unconfident adults, mean people, and diversity. And singing. The singing is pretty great. It's broken all kinds of records and is totally worth watching.

Family Guy, Fox, Seasons 1-8 available on Netflix, Season 9 (I think) currently airing, lots of 24-minute eps per season plus a few bonus 2-hour specials
I know I already said that The Office is the funniest shit on TV, so I obviously can't say that again. So I will say this is the funniest offensive perverse shit on TV. For me, this sits on the right side of the line that SouthPark sits on the wrong side of. I love every gross joke, every reference, and every time my mouth drops open and I yell out, alone in my room, OH MY GOD! I can never believe what they get away with on this show and I can never get enough. Peter, Lois, Meg, Brian, Stewie and Chris are awesome. I hope Seth keeps making this for a long time coming.

Parks & Recreation, NBC, Seasons 1 & 2 available on Netflix, Season 3 airing (not sure when it's starting), 22 24-minute eps per season
The first season of this show was only okay. Season 2 was awesome. It really found its footing, Aziz Ansari really got funny and Amy Poehler really sat into Leslie Knope and made her the bumbling small town bureaucrat we all love. The side stories are funny, the small town feel is great, and Leslie is just an idiot, but a funny, sincere, loving idiot. Rob Lowe is staying on for Season 3, so we'll see how this rolls out.

The Middle, ABC, Season 1 available on Netflix, Season 2 currently airing, 22 24-minute eps per season
I was told that this is hilarious recently and just started watching in Season 2. I will likely never see Season 1, since its a sitcom and I probably won't bother. But it is great! Patricia Heaton, the mom from Raymond is the mom and the janitor from Scrubs is the dad. They have three idiot kids. Seriously - idiots. They live in the middle of the U.S., hence the name. Mom and Dad have never lived anywhere else and are trying their best to raise their three kids amongst no money, jobs they hate, and regular day to day craziness. It's the perfect show for a bad-economy US.

Woah. And to think I keep up with all of this, plus I read about a book or so a week. Remember that I don't have cable in the house, so I don't have access to stuff like HGTV and then waste hours watching Curb that House or whatever that stuff is called. I don't get pulled into Barefoot Contessa and watch her cook for an hour. I only watch stuff I mean to be watching. There's some perks to being single, too. Tons of disposable time. No kids or partner to care for. I don't even own my house, so I barely have to take care of myself, let alone anything else. Lots of time to experience media!

Happy watching!

Friday 5 - MOMENTOS

One of my favorite topics. I used to be a keeper of many mementos. Less so now, in my old age and after about 20 moves in 10 years. One of my craziest memories about mementos is that I had a basket with a top of all the things that meant something to me in high school under my desk. It had everything from notes from boys to cards from people to rocks from the beach to dried rose petals. To a 17-year-old girl, it was the basket of dreams, hope, belonging, love and future. One morning, in a huff because he was pissed he had to do the chore, my brother, eleven at the time, emptied the entire thing into the garbage and threw it all out, mistaking it, in his rage, as my trash basket. Admittedly, my trash basket was also a basket, but obviously had no cover and was bigger. I didn't find out until after school, and it being trash pickup day, we were unable to recover any of it. I was a raving maniac for a while. And then I got over it.

Okay, today's Friday 5: MEMENTOS

Do you still have your senior yearbook? Where is it?

Yup. On my bookshelf. It was missing for a number of years and then magically reappeared, I have no clue how. I've actually pulled it out recently in this age of Facebook when people friend me and their profile photo is of their kids and I can't even remember what they look like or who they even are. (Why, by the way, are those people friending me?) I was the Business Editor of my book (why? no clue. why?) and it is GORGEOUS. Granted, it's 1991 gorgeous, but still. It's got a suedey/velvety cover and gold embossing and a cut out on the endpaper and the theme is Greek-God-inspired. It's pretty awesome. And so, yes, I keep it.

What souvenir did you bring back from your last trip?

I travel a lot. And I have rituals now of what I get as mementos. 1. Always a flag of that country. In little fabric version, if possible. Like the kind you get a the 4th of July parade. If I can't get fabric, I get a patch or sticker as a last resort. 2. A keychain that is relevant to that country and it goes on my great travel carabiner of keychains. 3. A piece of locally made or locally inspired (or better, both) jewelry. I have some amazing pieces I've collected over the years made by people in cities, villages, art communities, and more. To truly answer this question my last trip was to Peru. I got a little fabric flag (which took FOREVER to find) of both Peru and of Cusco (which is a rainbow like the pride flag although they are not fond of this likening)), a little porter shoe keychain, and a very cool coca leaf set in silver pendant and as a bonus, some earrings in Lima made from dyed seeds for the equivalent of about a dollar.

What visible signs are there of your most recent injury?

I am always covered in bruises. At any given moment I have anywhere from 1 to 10 of them. Mostly on my shins. I bruise very easily and always have. Now that I ride my bike a lot, I get them on my shins all the time just from a tap of the pedal.

What’s the neatest wedding favor you’ve ever seen?

Huh. I have to think on this. Mostly they are lame, right? I guess something interactive is best. Like the one wedding that had a photo booth and you got a strip of four little photos and a little stand up frame. That was good (thanks Matt & Danielle). My friends Sara and Chris actually made, themselves, strawberry rhubarb jam and jarred it up for everyone. They ruined the first batch and had to completely start over. That was pretty cool. My sister and her husband made CDs for everyone of music they care about with little recorded intros. However, burning 400 of those puppies sucked. And they were still doing it, on three computers, the night before the wedding. Insanity.

What do you do with playbills and movie-ticket stubs?

Keep them in a little pile of crap on top of my desk for a while and then I throw them out because why the hell am I keeping them? I do, however, keep all the tickets to museums from trips, bus tickets, maps of cities, subway tokens and tickets, little stirrers from coffeeshops, and the like in this cool journal book made entirely of envelopes that my friend Kathleen gave me. There's an envelope for each trip and I stuff all the stuff in there and I have no idea why I keep any of it either. Maybe if someone visits Cusco soon, I can give them al my tips and hints by going through that envelope.

HAPPY LONG WEEKEND!